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Stop The Presses! Newspapers Affect Us, Often In Ways We Don't Realize

A copy of the final edition of the Rocky Mountain News sits in a newspaper box on a street corner in Denver, Colorado.John Moore/Getty Images
John Moore
/
Getty Images
A copy of the final edition of the Rocky Mountain News sits in a newspaper box on a street corner in Denver, Colorado.John Moore/Getty Images

"Fake news" is a phrase that may seem specific to our particular moment and time in American history.

But Columbia University Professor Andie Tucher says fake news is deeply rooted in American journalism.

In 1690, British officials forced the first newspaper in North America to shut down after it fabricated information. Nineteenth-century newspapers often didn't agree on basic facts. In covering a lurid murder in 1836, two major papers in New York City offered wildly differing perspectives on the case.

"They both looked at the same crime and had entirely different interpretations based on what they thought their readers would prefer to hear," says Tucher, who researches the history of fake news. Different newspapers had different audiences, so journalists catered to the tastes and sympathies of their particular readerships.

The debate over this approach continues across the media landscape today. And it often masks a larger question that persists in American journalism: Should reporters think of their readers and listeners as consumers, or as citizens?

This week on Hidden Brain, we explore this tension at the heart of journalism. And we'll consider another thorny question: when nobody wants to pay for the press, does someone ultimately foot the bill?

These days there are plenty of ways to pay little—or nothing—to read the news. Millions of Americans have simply decided they don't need a subscription to their local newspaper.

But new research suggests this strategy may have costs in the long run. That's because newspapers are not like most things we purchase. If we decide not to buy a watch or a cappuccino, we save money. But if we decide not to pay for a police department, we might save money in the short run, but end up paying more in the long run.

Whereas most of us treat newspapers like consumer products, new research from Paul Gao, Chang Lee, and Dermot Murphy suggests that they might be more like police departments. Gao, Lee, and Murphy looked at how newspaper closures might affect the cost of borrowing in local governments. What they found is a price tag that may give many taxpayers sticker shock.

Additional Resources

Andie Tucher writes about the sensationalist 19th-century press in Froth and Scum: Truth, Beauty, Goodness, and the Ax Murder in America's First Mass Medium.

"Financing Dies in Darkness? The Impact of Newspaper Closures on Public Finance"by Paul Gao, Chang Lee, and Dermot Murphy, forthcoming in the Journal of Financial Economics

"The Effect of Newspaper Entry and Exit on Electoral Politics" by Matthew Gentzkow, Jesse M. Shapiro, and Michael Sinkinson in American Economic Review

"The Afterlife of Electronics" series by I-News

Hidden Brain is hosted by Shankar Vedantam and produced by Jennifer Schmidt, Rhaina Cohen, Parth Shah, Thomas Lu and Laura Kwerel. Our supervising producer is Tara Boyle. You can also follow us on Twitter @hiddenbrain.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Shankar Vedantam is the host and creator of Hidden Brain. The Hidden Brain podcast receives more than three million downloads per week. The Hidden Brain radio show is distributed by NPR and featured on nearly 400 public radio stations around the United States.
Tara Boyle is the supervising producer of NPR's Hidden Brain. In this role, Boyle oversees the production of both the Hidden Brain radio show and podcast, providing editorial guidance and support to host Shankar Vedantam and the shows' producers. Boyle also coordinates Shankar's Hidden Brain segments on Morning Edition and other NPR shows, and oversees collaborations with partners both internal and external to NPR. Previously, Boyle spent a decade at WAMU, the NPR station in Washington, D.C. She has reported for The Boston Globe, and began her career in public radio at WBUR in Boston.
Rhaina Cohen is a producer and editor for NPR's Enterprise Storytelling unit, working across Embedded, Invisibilia, and Rough Translation.