Lauren Onkey is the Senior Director of NPR Music in Washington, DC. In this role, she leads NPR Music's team of journalists, critics, video, and podcast makers, and works with NPR's newsroom and robust Member station network to expand the impact of NPR Music and continue positioning public radio as an essential force in music.
Prior to joining NPR, she was the inaugural Dean and Chair of the Jack, Joseph and Morton Mandel Humanities Center at Cuyahoga Community College in Cleveland, Ohio, where she created a program that provided civic engagement opportunities for students. She served as Vice President of Education and Public Programming at the Rock and Roll Hall of Fame and Museum from 2008-2015, developing and managing the museum's award-winning education and community programs. She was the executive producer of the museum's Annual Music Masters series and oversaw the Rock Hall's Library and Archives.
Onkey spent fourteen years teaching literature and cultural studies at Ball State University in Muncie, Indiana, specializing in postcolonial literature and popular music studies. She is the author of Blackness and Transatlantic Irish Identity: Celtic Soul Brothers (Routledge 2009), an interdisciplinary study of the relationship between Irish and African-American heritage. Over the course of her career she has published many articles in literary studies, popular music studies, women's studies, and pedagogy. Onkey holds doctoral and master's degrees in English from the University of Illinois, Urbana-Champaign and a bachelor's degree in English and Government from the College of William & Mary.
Mary Wilson began her career in Detroit in 1959 as a singer in what was then called the Primettes. The group went on to become The Supremes, with members Diana Ross and Florence Ballard.
The second new release from Dylan in the last three weeks, "I Contain Multitudes" is a list of funny and preposterous boasts about the singer's prowess and power.
Charles laid claim to the center of American popular music on these 1962 classics, and ended up with some of the brashest and best-selling music of his career.
Deluxe reissues of Jimi Hendrix's Electric Ladyland and The Beatles' self-titled "White Album" celebrate their 50th anniversaries, and reveal the remarkable creative abandon behind them.